Learn A-Z of anatomy of typeface to create amazing typography

Did you know that alphabets can be cut into parts as if they were pieces of a puzzle? Just like us humans, fonts too have different moods, styles, and anatomical features! 

Just like a doctor needs to learn the anatomy of the human body to make informed diagnoses, understanding the anatomy of typography will certainly help you in your graphic designing career, or while a designer is telling you what font he would use in your design.

Although in the beginning, it all might seem a little intimidating or a hard nut to crack; however, it is all pretty easy to grasp and fun to learn. 

Today, we will look at the anatomy of typography, various parts that make up letters, and styles of typography. So, the next time you discover a set of fonts with "extra shoulder," you will know what that means. 

So, without further ado,  let's have a look at the different styles of typography.

What is Typography?

Typography is the art of styling and drafting letters and digits. The prime purpose of typography is to make the text legible, neat, and appealing. Font style, presentation, and structure are the key aspects of typography design used to evoke specific emotions and deliver clear messages.

Besides, the selection of particular typography and how you can make it work with your design theme is what sets apart a good design from a great one.

Anatomy of Typography

The anatomy of typography provides you with the basic knowledge of letters and their integral parts. Besides, it helps you recognize the underlying structure of different designs. Perhaps you can make out the difference between Times New Roman and Gothic typefaces, but there's a lot of typefaces and fonts out there that are so alike that it won't be easy to make out the difference.

However, understanding the underlying principles and anatomy of typography is the first step toward being a successful typographer or a designer, and not to mention an expert in kinetic typography videos.

Every letter has its unique shape or form, and that's exactly what the anatomy focuses on. So, let's have an inside look at the anatomy of typography and the styles of typography.

Basic Anatomy 

The basic anatomy of typography is all about structures of glyphs or characters. So how do we break down a typeface, what makes up a typeface, and what does it consist of? Lines of text usually indicate the size of certain parts of each character in the Typeface. Let’s take a look.

• Ascender line: An ascender line is a vertical stroke that extends upwards above the x-height. It is generally found in some lowercase letters, like "b," "d," "f," "h," "k," "l," and "t."
• Cap height: The cap height indicates the highest point of any uppercase character in the same typeface. The most exact measurement is found in flat bottomed alphabets like the letter E.
• X-height: X-height determines the height of lowercase letters within a typeface. It is the distance between the baseline and mean line of the characters in lowercase. This height is pretty significant in the context of font shapes since it's easier to read the fonts with greater X-heights.
• Baseline: It is the imaginary line on which the letters sit horizontally. Some letters like g or p extend below the baseline, while curved letters like c or o go slightly below the baseline.
• Descender: It is the part of a letter that extends below the baseline. It is the bottom part of the lowercase letters like “g,” “j,” “p,” “q,” “y,” etc., that goes typically below the baseline. 

Detailed Anatomy

Now let’s have a look at a brief overview of various anatomical parts of typography that you can start using now!

• Aperture: It is an open area of white space formed by a straight or curved stroke in letters like "c," "f," "h," "i,"  "n," etc. It is also known as an open counter.

• Apex: It is a point on the top of the character where two strokes meet.

• Arm: It is also known as a bar, any horizontal stroke that is disconnected on one or both ends; e.g., r, this bar is open from one end.

• Bowl: It is a curved stroke that encloses a character’s counter. Sometimes they are interchangeable. 

• Counter: It is a fully closed space within a character. Sometimes counter, and aperture is used interchangeably. 

• Crossbar: It is a horizontal stroke. 

• Diagonal stroke: It is a diagonal stroke on a character like on Z.                    

• Ear: It is a small stroke unique to the upper bowl of lowercase letters like g. 

• Finial: It is a curved tapered end to a stroke. 

• Glyph: It is a symbol that represents a readable character within an agreed set of symbols, characters, punctuations, etc.: a,!?;z}.

• Hairline: It is the tin stroke on serif typeface. 

• Leg: It is a short descending portion of a character that does not extend below the baseline. 

• Loop: It is the partially or fully closed character below the baseline on lowercase double-story g. 

• Lowercase: It is the smallest collection of characters.

• Serif: These are the small decorative strokes at the end of characters.

• Shoulder: It is a curved stroke that starts on the stem.

• Stroke: It is a mark made with the shape tool to form character.

• Tail: It is a descending, primarily decorative stroke.

Wrapping Up

There you go, folks! That was all about the anatomy of typography.

Typography brings the letters to come to life. It has a significant impact on how people perceive your brand, content, and designs. And it takes both art and craftsmanship to add the best effect to your designs. 

When done right, typography can improve readability, user experience, strengthen visual communication, amplify your brand message, and whatnot. Besides, kinetic typography animation and kinetic typography videos are certainly one of the most creative and unique ways to grab the user's attention.

So, what are you waiting for? Start experimenting with different typography styles to create amazing typefaces, and who knows, you might find one that perfectly fits your brand image.

So, what is your favorite style of typography? Do let us know!

Editor: Richa Sharma